EPQ Links/ Bibliography

  1. Transforming Medusa (http://pendientedemigracion.ucm.es/info/amaltea/revista/num3/currie.pdf)
  2. The Trial of Woman: Feminism and the Occult Sciences in Victorian Britain (http://www.palgraveconnect.com/pc/doifinder/view/10.1057/9780230374010)
  3. Pendle Witches (The Lancashire witches by William Harrison Ainsworth, Blake Morrison collection of 1996 poems ‘Pendle Witches’, Simon Armitage 2011 documentary, ‘The Pendle Witch Child’ https://www.youtube.com/watch?v=yv-jdufadiw)
  4. Bedlam and Broomsticks: Representations of the Witch in 19th and 20th century women’s writing (http://orca.cf.ac.uk/54301/1/u584115.pdf)
  5. Representations of witches in popular literature in England, 1566-1645(https://archive.org/stream/representationso00kuci/representationso00kuci_djvu.txt)
  6. The Lancashire witches: histories and stories
    (http://www.history.ac.uk/reviews/review/348)
  7. Crafting the Witch: Gendering magic in medieval and early modern England
    (http://www.history.ac.uk/reviews/review/826)…Heidi Breuer’s approach is to focus on the gendered nature of magic in medieval and early modern literature. Magic, in these texts, is done by both men and women but how, Breuer asks, does the presentation of men’s and women’s magic differ? She argues that presentations of magic and magicians tend towards moral extremes: ‘magic-users are saviours or they are villains, saints or devils’, so what, she asks, is the role of gender in this process of polarization? Overall, she argues that what can be seen in medieval and early modern literature is a gradual ‘villainization of feminine magic’.

    .

  8. Fantasies of gender and the witch in feminist theory and literature
    http://www.jstor.org/stable/j.ctt6wq72n
    https://muse.jhu.edu/book/4118
  9. Screaming, flying, and laughing: magical feminism’s witches in contemporary film, television, and novels
    http://www.womenwriters.net/portfolio/wells.pdf
    This project argues that there is a previously unnamed canon of literature called
    Magical feminism which exists across many current popular (even lowbrow) genres
    Such as science-fiction, fantasy, so-called realistic literature, and contemporary
    Television and film. I define magical feminism as a genre quite similar to magical
    Realism, but assert that its main political thrust is to model a feminist agency for its
    Readers. To define this genre, I closely-read the image of the female magic user as one
    Of the most important magical feminist metaphors. I argue that the female magic
    User–commonly called the witch, but also labeled priestess, mistress, shaman, mambo,
    Healer, midwife– is a metaphor for female unruliness and disruption to patriarchy and
    As such, is usually portrayed as evil and deserving of punishment. I assert that many
    (although not all) of the popular texts this genre includes are overlooked or ignored by
    the academy, and thus, that an important focus for contemporary feminism is missed.
    When the texts are noticed by parts of the academy, they are mostly considered popular
    Culture novelty acts, not serious political genres. As part of my argument, i analyze
    third wave feminism’s attempt to reconcile traits previously considered less than
    feminist, such as the domestic. I also deconstruct the popular media’s negative
    portrayal of contemporary feminism and the resulting reluctance for many young
    women to identify themselves as feminist. I also argue that this reluctance goes hand in
    hand with a growing attempt to seek new models for empowering female
    epistemologies. My assertion is that these texts are the classrooms where many readers
    learn their feminism.
  10. https://en.wikipedia.org/wiki/magical_feminism
  11. Isabel Allende ‘the house of the spirits’
  12. Gloria Naylor, ‘mama day’
  13. Jeanette Winterson ‘the passion’
    Kimberley wells claims that the most important feature of this genre is the presence of a female magic user, most commonly a witch or a shamaness, metaphorically representing the female protest against the male-dominated world order and an act of independence. 
  14. Feminist witchcraft: podcast
    (http://www.stuffmomnevertoldyou.com/podcasts/feminist-witchcraft/)
  15. Introducing thealogy: discourse on the goddess
    (https://books.google.co.uk/books/about/introducing_thealogy.html?id=tmfharcj79kc&redir_esc=y)
  16. Matilda Joslyn Gage: a nineteenth-century women’s rights historian looks at witchcraft.
    (http://eric.ed.gov/?id=ej672253)
  17. Wicca, witchcraft and the goddess revival: an examination of the growth of wicca in post-war america
    (https://www.academia.edu/834962/wicca_witchcraft_and_the_goddess_revival_an_examination_of_the_growth_of_wicca_in_post-war_america)
  18. Witchcraft and women: a historiography of witchcraft as gender history
    (https://www.binghamton.edu/history/resources/journal-of-history/k-natrella.pdf)
  19. Women writers and the occult in literature and culture: female lucifers, priestesses, and witches
    (https://books.google.co.uk/books?id=hk_lcqaaqbaj&dq=19th+century+occult+matriarchies&source=gbs_navlinks_s&redir_esc=y)
  20. The witch report
    (http://www.feministtimes.com/witches/)
  21. Feminist interpretations of the early modern witch trials
    (https://en.wikipedia.org/wiki/feminist_interpretations_of_the_early_modern_witch_trials)
  22. Magical feminism
    (https://en.wikipedia.org/wiki/feminist_interpretations_of_the_early_modern_witch_trials)
  23. Why witches are feminist icons (?)
    (http://www.huffingtonpost.com/entry/witches-are-feminist-icons_us_5616c9dfe4b0dbb8000dad40)
    https://www.youtube.com/watch?v=vx5yphp9kzo
  24. The spiral dance: a rebirth of the ancient religion of the great goddess
    (https://en.wikipedia.org/wiki/the_spiral_dance(
    “to reclaim the word witch is to reclaim our right, as women, to be powerful. To be a witch is to identify with 9 million victims of bigotry and hatred and to take responsibility for shaping a world in which prejudice claims no more victims.”
  25. The New Forest coven
    (https://en.wikipedia.org/wiki/new_forest_coven)
  26. The embodied goddess: feminist witchcraft and female divinity
    (http://web.csulb.edu/~wgriffin/embodied.html)
  27. King Arthur’s Enchantresses: Morgan and Her Sisters in Arthurian Tradition
    Carolyne Larrington. Whether they be chaste or depraved, necrophiliacs or virgins, benevolent or filled with hatred, the enchantresses represent a strain of femininity which continually challenges male chivalric values from within. These women are survivors. They outlive the collapse of Camelot and all it stands for. And it is as archetypal manifestations of the feared, uncontainable Other that they continue to inspire admiration, fright and fascination in equal measure.http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199578160.001.0001/oxfordhb-9780199578160-e-1                                                                                     The Oxford Handbook of Witchcraft in Early Modern Europe and Colonial America
  28. http://www.articlemyriad.com/feminist-analysis-prologue-wife-bath/
  29. http://www.academia.edu/657084/Geoffrey_Chaucer_Feminist_Or_Not
  30. https://www.jstor.org/stable/3188570?seq=1#page_scan_tab_contents
  31. file://fshomes2/homes$/15STUARTV/Downloads/Wilma%20Karssen_4006275_BAThesisWitchcraft_in_Chaucer’s_Friar’s_Tale.pdf
  32. http://scholarship.shu.edu/cgi/viewcontent.cgi?article=1731&context=dissertations
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